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  • Introduction to Medical Humanities Student Unessay Projects (Fall 2021)
    • A History of Medical Kits during the World Wars
    • Dr. Whitehead’s Medical Apothecary Crate from the 1820’s
    • Cervical Cancer in Southern India: Stigma, Screening and Seeking Understanding
    • An Ode to the LVAD Patient
    • The Usage of Plant-Based Materials in the Mummification Process in the New Kingdom of Egypt
    • “Distancing and Disfigurement: Reactions to the Marked Body” Website
Home ▸ Education ▸ Student Class Projects ▸ Introduction to Medical Humanities Student Unessay Projects (Fall 2021) ▸ Cervical Cancer in Southern India: Stigma, Screening and Seeking Understanding

Cervical Cancer in Southern India: Stigma, Screening and Seeking Understanding

Student: Anisha Patibandla (COL’24)

  • Visual representation of an Indian woman. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • Visual representation of a network of people. There are three women, linked to each other, and each of them is also linked to a dark silhouette. The women's clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • Visual representation of an Indian woman trapped in a circle, while the silhouettes of a large group of people are standing next to her (maybe staring at her and judging her). Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • Visual representation of a balance scale weighting an Indian woman, on the right, and a group of silhouettes of a group of people, on the left. She seems to weight more than them, but they seem to try to pull the balance plate towards them. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • Visual representation of an Indian woman trapped behind bars. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • Visual representation of an Indian woman trapped in a circle, chained to the silhouettes of a group of people. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • Visual representation of the silhouettes of a group of people. In front of them, there are open arms, as if they were asking something from them. On top of the image, there is a caption in Telugu
  • Visual representation of an Indian woman sitting on the flood, with her head on her knees and folding her arms (her pose suggests pain and desperation, maybe she is praying). Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu
  • There are eight images displayed, four on the top, and four on the bottom: first: Visual representation of an Indian woman. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu. Second: Visual representation of a network of people. There are three women, linked to each other, and each of them is also linked to a dark silhouette. The women's clothing is made of actual fabric. On top of the image, there is a caption in Telugu. Third: Visual representation of an Indian woman trapped in a circle, while the silhouettes of a large group of people are standing next to her (maybe staring at her and judging her). Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu. Fourth: Visual representation of a balance scale weighting an Indian woman, on the right, and a group of silhouettes of a group of people, on the left. She seems to weight more than them, but they seem to try to pull the balance plate towards them. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu. Fifth: Visual representation of an Indian woman trapped behind bars. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu. Sixth: Visual representation of an Indian woman trapped in a circle, chained to the silhouettes of a group of people. Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu. Seventh: Visual representation of the silhouettes of a group of people. In front of them, there are open arms, as if they were asking something from them. On top of the image, there is a caption in Telugu. Eight: Visual representation of an Indian woman sitting on the flood, with her head on her knees and folding her arms (her pose suggests pain and desperation, maybe she is praying). Her clothing is made of actual fabric. On top of the image, there is a caption in Telugu

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